It is so important how the media, which is an vital object of public arena, reports the news in society. The language, style, shape prefered by media during reporting the news are finded meaning in society. It has become more of an issue how the news of the violence against the women consequently showing an increase in recent year in Turkey are reported in society whether they are realized in terms of public area as part of a responsible broadcast conseption or not. Morever, to be analyzed whether the words used by media are distant from sensation or not plays an active role to undesrtand how the news of the violence against the women appear on media. In this study, violent news about violence against women in the media was examined with qualitative and quantitative research methods and the objective attitude displayed by the puplic while presenting the news was evaluated. In the quantitative research part of the study, the length and type of the news, and in the qualitative research part, the language and style were evaluated in detail. The research is limited to the news of the murder of Özgecan Aslan, which has found a lot of media coverage and the community has reacted very strongly, and the year 2015, when the event took place. The main reason for the study of Hürriyet and Milliyet web sites is that these two news pages are the most visited news items according to the report in 2015. The data obtained from the study showed that violence against women is not balanced in terms of gender equality and criminal-victim relations, but it is far from being the basis for a public debate on the place of women in society and the causes of violence being questioned.

The determination of the aesthetic and stylistic characteristics of Turkish Art ,between the 12th and 15th century, is based on the analysis of comparative art history with the grounds created by the element of multiculturalism. Among the historical works found to be included in this date range are unique pieces containing elements of multiculturalism. Scientific neutrality is a known fact in international art history researches that can not be protected by the effects of national political pressures and sociological factors, and the effects of global government policies. In particular, it is possible to understand the artistic values ??of unique parts by correctly analyzing the data provided by the comparison method. It was aimed to contribute to cultural management in order to reveal the necessity of categorizing the works of medieval Turkish art in the context of state and religious arts by extracting the works in many world museums from religious art categories. The study refers primarily to the points of emphasizing the political elements in the research of art history, the necessity of approaching art works with purely scientific conclusions. In this context, the stylistic analysis of the pieces in the 12th and 15th centuries that were evaluated as unique in Turkish handicrafts such as carpet, textile, architectural stone decoration, ceramics, wooden decoration arts were made and it was found that the Byzantine, Armenian Kingdom and commercial relations in the same period were active, Similar comparisons were made from nearby geographies. For example; In the Turkish wood ornamentation art today, a similar work exhibited at the Ankara Ethnography Museum and described as the "Peacock Door" has been found in the Armenian wood art.